{"id":12175,"date":"2015-06-13T21:42:21","date_gmt":"2015-06-13T12:42:21","guid":{"rendered":"http:\/\/www.fgautron.com\/weblog\/?p=12175"},"modified":"2015-06-13T21:42:21","modified_gmt":"2015-06-13T12:42:21","slug":"an-empty-space-in-consciousness","status":"publish","type":"post","link":"https:\/\/www.fgautron.com\/weblog\/archives\/2015\/06\/13\/an-empty-space-in-consciousness\/","title":{"rendered":"an empty space in consciousness"},"content":{"rendered":"

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Nous sommes ici en quelques photographies entre les stations de Tachiaigawa et Aomono-Yokoch\u014d. Comme d’habitude pour mes promenades urbaines, je marche au hasard des rues en essayant de trouver des choses particuli\u00e8res, comme ces t\u00eates d’\u00e9l\u00e9phants aux portes d’un temple. En parlant d’univers particulier, je viens de voir le fascinant film<\/a> de Quentin Dupieux R\u00e9alit\u00e9<\/a>, vraiment bizarre et passionnant. Je viens de le regarder deux fois de suite et le range parmi les films cultes. Je connaissais Quentin Dupieux<\/a> \u00e0 travers sa musique \u00e9lectronique sous le nom de Mr Oiso et quelques tr\u00e8s bons morceaux comme Positif<\/a> ou Steroids<\/a>, mais j’appr\u00e9cie encore plus son cin\u00e9ma.<\/p>\n","protected":false},"excerpt":{"rendered":"

Nous sommes ici en quelques photographies entre les stations de Tachiaigawa et Aomono-Yokoch\u014d. Comme d’habitude pour mes promenades urbaines, je marche au hasard des rues en essayant de trouver des choses particuli\u00e8res, comme ces t\u00eates d’\u00e9l\u00e9phants aux portes d’un temple. En parlant d’univers particulier, je viens de voir le fascinant film de Quentin Dupieux R\u00e9alit\u00e9,…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,3],"tags":[612,710,709],"class_list":["post-12175","post","type-post","status-publish","format-standard","hentry","category-musiques","category-tokyo","tag-612","tag-710","tag-quentin-dupieux"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/12175","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/comments?post=12175"}],"version-history":[{"count":10,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/12175\/revisions"}],"predecessor-version":[{"id":12199,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/12175\/revisions\/12199"}],"wp:attachment":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/media?parent=12175"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/categories?post=12175"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/tags?post=12175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}