{"id":1278,"date":"2007-12-20T23:54:52","date_gmt":"2007-12-20T14:54:52","guid":{"rendered":"http:\/\/www.fgautron.com\/weblog\/archives\/2007\/12\/20\/dualite\/"},"modified":"2017-09-17T21:33:01","modified_gmt":"2017-09-17T12:33:01","slug":"dualite","status":"publish","type":"post","link":"https:\/\/www.fgautron.com\/weblog\/archives\/2007\/12\/20\/dualite\/","title":{"rendered":"d\u00faalite"},"content":{"rendered":"

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Descente vers un temple \u00e0 Kamakura et un ciel se d\u00e9gageant des nuages.<\/p>\n

Alex<\/a> me conseillait depuis quelques temps de me pencher sur la musique islandaise de Sigur R\u00f3s<\/a>. Ma d\u00e9couverte commence par deux morceaux Gl\u00f3s\u00f3li<\/a> et S\u00e6gl\u00f3pur<\/a> (video<\/a>) chant\u00e9s en islandais bien entendu. Je ne peux plus m’en s\u00e9parer. Sur ces deux morceaux, j’aime cette musique douce et floue \u00e0 tonalit\u00e9 m\u00e9lancolique, \u00e0 base de piano ou d’instruments \u00e0 cordes, frapp\u00e9e soudainement par la brutalit\u00e9 des guitares. J’aime cette dualit\u00e9, que je trouvais d’une mani\u00e8re diff\u00e9rente et dans un style tr\u00e8s diff\u00e9rent chez Sonic Youth, o\u00f9 des fins filets de musique s’\u00e9chappaient d’une texture complexe de guitares enm\u00eal\u00e9es.<\/p>\n

En fait, c’est toujours cette dualit\u00e9 que j’essaie de repr\u00e9senter dans mes compositions urbano-v\u00e9g\u00e9tales<\/a>, o\u00f9 le brut, l’urbain, vient casser soudainement une harmonie naturelle.<\/p>\n

Et pour revenir sur Sigur R\u00f3s, je vous conseille \u00e9galement Hij\u00f3malind<\/a> et Hopp\u00edpolla<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Descente vers un temple \u00e0 Kamakura et un ciel se d\u00e9gageant des nuages. Alex me conseillait depuis quelques temps de me pencher sur la musique islandaise de Sigur R\u00f3s. Ma d\u00e9couverte commence par deux morceaux Gl\u00f3s\u00f3li et S\u00e6gl\u00f3pur (video) chant\u00e9s en islandais bien entendu. Je ne peux plus m’en s\u00e9parer. Sur ces deux morceaux, j’aime…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18,4,3],"tags":[],"class_list":["post-1278","post","type-post","status-publish","format-standard","hentry","category-kamakura-et-shonan","category-musiques","category-tokyo"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/1278","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/comments?post=1278"}],"version-history":[{"count":3,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/1278\/revisions"}],"predecessor-version":[{"id":21516,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/1278\/revisions\/21516"}],"wp:attachment":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/media?parent=1278"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/categories?post=1278"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/tags?post=1278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}