{"id":1380,"date":"2008-05-20T00:51:24","date_gmt":"2008-05-19T15:51:24","guid":{"rendered":"http:\/\/www.fgautron.com\/weblog\/?p=1380"},"modified":"2017-09-18T00:13:08","modified_gmt":"2017-09-17T15:13:08","slug":"imitate-the-real","status":"publish","type":"post","link":"https:\/\/www.fgautron.com\/weblog\/archives\/2008\/05\/20\/imitate-the-real\/","title":{"rendered":"let\u2019s just imitate the real until we find a better one"},"content":{"rendered":"

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Un bonsai<\/a> de plusieurs centaines d’ann\u00e9es dans les jardins de Happo-En<\/a> \u00e0 Shirogane.<\/p>\n

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L’immeuble en vague De Beers \u00e0 Ginza imite la courbe du bonsai. Il s’agit seulement de mon interpr\u00e9tation pour ce billet, je ne connais pas les intentions de Jun Mitsui<\/a>, l’architecte concepteur de cet \u00e9difice pour une grande marque de joaillerie<\/a>. En visionant les photos que j’ai prise le mois dernier, j’y voyais une certaine ressemblance, o\u00f9 le building imite des formes et mouvements naturels. Si ce n’est pas la forme du bonsai de Happo-en, il s’agit peut \u00eatre d’une vague du pacifique ou une distortion sismique plus douce au regard que celle du NC Building de Peter Eisenman<\/a>.<\/p>\n

Le titre intriguant de ce billet provient de Good Lies<\/a> du groupe allemand the Notwist<\/a>, une musique rock que j’\u00e9coute beaucoup ces derniers temps.<\/p>\n","protected":false},"excerpt":{"rendered":"

Un bonsai de plusieurs centaines d’ann\u00e9es dans les jardins de Happo-En \u00e0 Shirogane. L’immeuble en vague De Beers \u00e0 Ginza imite la courbe du bonsai. Il s’agit seulement de mon interpr\u00e9tation pour ce billet, je ne connais pas les intentions de Jun Mitsui, l’architecte concepteur de cet \u00e9difice pour une grande marque de joaillerie. En…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17,4,3],"tags":[],"class_list":["post-1380","post","type-post","status-publish","format-standard","hentry","category-architecture","category-musiques","category-tokyo"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/1380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/comments?post=1380"}],"version-history":[{"count":3,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/1380\/revisions"}],"predecessor-version":[{"id":21646,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/1380\/revisions\/21646"}],"wp:attachment":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/media?parent=1380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/categories?post=1380"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/tags?post=1380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}