{"id":15962,"date":"2016-04-05T23:40:51","date_gmt":"2016-04-05T14:40:51","guid":{"rendered":"http:\/\/www.fgautron.com\/weblog\/?p=15962"},"modified":"2016-04-05T23:40:51","modified_gmt":"2016-04-05T14:40:51","slug":"les-cerisiers-contre-la-ville-episode-24","status":"publish","type":"post","link":"https:\/\/www.fgautron.com\/weblog\/archives\/2016\/04\/05\/les-cerisiers-contre-la-ville-episode-24\/","title":{"rendered":"Les cerisiers contre la ville (\u00e9pisode 2\/4)"},"content":{"rendered":"

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Sakura versus the city. Pendant ce temps l\u00e0, \u00e0 Shibuya, on reconstruit la gare \u00e0 coups de grosses machines color\u00e9es. J’en avais parl\u00e9 auparavant dans mon billet \u00ab\u00a0Shibuya changing\u00a0\u00bb<\/a>. Ce billet, l’\u00e9pisode 2, m\u00e9lange les atmosph\u00e8res, entre d\u00e9coration urbaine surcharg\u00e9e et sobri\u00e9t\u00e9 des surfaces, comme cette maison de b\u00e9ton aux proches abords de Shibuya. Les fresques murales viennent du quartier de Udagawacho \u00e0 Shibuya, dans une petite rue qu’il faut trouver. J’aime y retourner r\u00e9guli\u00e8rement car les motifs et graffiti changent r\u00e9guli\u00e8rement. On repeint sans cesse sur la m\u00eame surface, dans une renouvellement perp\u00e9tuel. Cette partie de quartier reste un endroit \u00e0 part car elle n’est pas encore touch\u00e9e par la vague de conformisme urbain qui vient effacer petit \u00e0 petit les sp\u00e9cificit\u00e9s de chaque quartier. J’aime partir \u00e0 la recherche des ces lieux.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sakura versus the city. Pendant ce temps l\u00e0, \u00e0 Shibuya, on reconstruit la gare \u00e0 coups de grosses machines color\u00e9es. J’en avais parl\u00e9 auparavant dans mon billet \u00ab\u00a0Shibuya changing\u00a0\u00bb. Ce billet, l’\u00e9pisode 2, m\u00e9lange les atmosph\u00e8res, entre d\u00e9coration urbaine surcharg\u00e9e et sobri\u00e9t\u00e9 des surfaces, comme cette maison de b\u00e9ton aux proches abords de Shibuya. Les…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[785,584,45,338,580,259],"class_list":["post-15962","post","type-post","status-publish","format-standard","hentry","category-tokyo","tag-785","tag-584","tag-shibuya","tag-338","tag-580","tag-259"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/15962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/comments?post=15962"}],"version-history":[{"count":5,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/15962\/revisions"}],"predecessor-version":[{"id":15979,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/15962\/revisions\/15979"}],"wp:attachment":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/media?parent=15962"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/categories?post=15962"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/tags?post=15962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}