![\"\"](\"https:\/\/www.fgautron.com\/weblog\/wp-content\/\/IMG_9859m.jpg\" "\\"surface")
<\/a><\/p>\nSurfaces \u00e0 Shibuya et Akasaka. Surfaces \u00e0 Shibuya et Akasaka. Deux morceaux \u00ab\u00a0terribles\u00a0\u00bb qui, je trouve, s’enchainent assez bien, deux instrumentaux frapp\u00e9s par une \u00e9rosion sonore similaire: The Piano Drop par Tim Hecker sur son dernier album Ravedeath, 1972 (en \u00e9coute \u00e9galement sur Pitchfork) et Rano Pano de Mogwai sur leur nouvel album Hardcore Will Never Die, But You Will…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[9,4,3],"tags":[156,322,323,45],"class_list":["post-4225","post","type-post","status-publish","format-standard","hentry","category-computer-graphics","category-musiques","category-tokyo","tag-156","tag-mogwai","tag-tim-hecker","tag-shibuya"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/4225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/comments?post=4225"}],"version-history":[{"count":10,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/4225\/revisions"}],"predecessor-version":[{"id":5850,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/4225\/revisions\/5850"}],"wp:attachment":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/media?parent=4225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/categories?post=4225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/tags?post=4225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}<\/a><\/p>\n<\/a><\/center><\/p>\n
\nDeux morceaux \u00ab\u00a0terribles\u00a0\u00bb qui, je trouve, s’enchainent assez bien, deux instrumentaux frapp\u00e9s par une \u00e9rosion sonore similaire: The Piano Drop<\/a> par Tim Hecker sur son dernier album Ravedeath, 1972 (en \u00e9coute \u00e9galement sur Pitchfork<\/a>) et Rano Pano<\/a> de Mogwai sur leur nouvel album Hardcore Will Never Die, But You Will (morceau en \u00e9coute<\/a> \u00e9galement). Je ne connaissais pas la force du son de Tim Hecker et suis surpris de r\u00e9-\u00e9couter du Mogwai.<\/p>\n","protected":false},"excerpt":{"rendered":"