{"id":48386,"date":"2026-05-12T00:18:46","date_gmt":"2026-05-11T15:18:46","guid":{"rendered":"https:\/\/www.fgautron.com\/weblog\/?p=48386"},"modified":"2026-05-12T00:18:46","modified_gmt":"2026-05-11T15:18:46","slug":"tremendous-volcanic-explosions-sometimes-occur","status":"publish","type":"post","link":"https:\/\/www.fgautron.com\/weblog\/archives\/2026\/05\/12\/tremendous-volcanic-explosions-sometimes-occur\/","title":{"rendered":"tremendous volcanic explosions sometimes occur"},"content":{"rendered":"

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Je retrouve en musique le duo tokyo\u00efte iVy, compos\u00e9 de fuki \u00e0 la guitare, composition, et chant et pupu au synth\u00e9tiseur et chant, avec deux nouveaux morceaux coupl\u00e9s Twin Leicas<\/a> (\u3075\u305f\u3054\u306e\u30e9\u30a4\u30ab) et Septum<\/a> (\u30bb\u30d7\u30bf\u30e0). L\u2019atmosph\u00e8re de leur musique m\u00e9langeant dream pop, shoegaze et pop alternative, reste similaire \u00e0 ce que je connaissais d\u2019elles sur leur dernier album<\/a>, mais cet EP marque tout de m\u00eame une \u00e9volution importante de leur son, dans le sens o\u00f9 le duo commence \u00e0 travailler davantage en studio tout en conservant une impression d\u2019intimit\u00e9 et de bricolage sonore. Cela donne un son plus ample, avec notamment une batterie plus pr\u00e9sente, tout en conservant la fragilit\u00e9 flottante qui d\u00e9finit leur son. Les deux morceaux sont excellents, comme toujours tr\u00e8s sensoriels, et j\u2019aime particuli\u00e8rement la rythmique presque dansante de Septum.<\/p>\n","protected":false},"excerpt":{"rendered":"

Je retrouve en musique le duo tokyo\u00efte iVy, compos\u00e9 de fuki \u00e0 la guitare, composition, et chant et pupu au synth\u00e9tiseur et chant, avec deux nouveaux morceaux coupl\u00e9s Twin Leicas (\u3075\u305f\u3054\u306e\u30e9\u30a4\u30ab) et Septum (\u30bb\u30d7\u30bf\u30e0). L\u2019atmosph\u00e8re de leur musique m\u00e9langeant dream pop, shoegaze et pop alternative, reste similaire \u00e0 ce que je connaissais d\u2019elles sur leur…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,3],"tags":[4466,338],"class_list":["post-48386","post","type-post","status-publish","format-standard","hentry","category-musiques","category-tokyo","tag-ivy","tag-338"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/48386","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/comments?post=48386"}],"version-history":[{"count":4,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/48386\/revisions"}],"predecessor-version":[{"id":48406,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/48386\/revisions\/48406"}],"wp:attachment":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/media?parent=48386"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/categories?post=48386"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/tags?post=48386"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}