{"id":6246,"date":"2012-05-04T07:28:27","date_gmt":"2012-05-03T22:28:27","guid":{"rendered":"http:\/\/www.fgautron.com\/weblog\/?p=6246"},"modified":"2012-05-04T07:28:27","modified_gmt":"2012-05-03T22:28:27","slug":"entre-jingu-et-kitasando-en-format-vertical","status":"publish","type":"post","link":"https:\/\/www.fgautron.com\/weblog\/archives\/2012\/05\/04\/entre-jingu-et-kitasando-en-format-vertical\/","title":{"rendered":"Entre Jingu et Kitasando en format vertical"},"content":{"rendered":"

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Je reviens en photographies grand format vertical sur la s\u00e9rie prise il y a quelques mois dans les rues de Shibuya-ku depuis Jingu jusqu’\u00e0 la GA Gallery de l\u2019architecte Makoto Suzuki + AMS<\/a>. Parmi la s\u00e9rie de photos, j’en montre trois de la Villa Fresca (1974) de Junzo Sakakura<\/a>. Je n’avais pas montr\u00e9 auparavant cette villa blanche accentu\u00e9e par des parties de murs cach\u00e9s de couleur jaune, un peu comme la ville du m\u00eame architecte juste \u00e0 c\u00f4t\u00e9, la villa Serena. Je reviens \u00e9galement en version large sur les fissures du Sunwell Muse (2008) de Takato Tamagami<\/a> et Tsutomu Hasegawa<\/a>, et du Wedge (1989) de Edward Suzuki<\/a>. En premi\u00e8re photo, la for\u00eat couronn\u00e9e du Tokyu Plaza Omotesando de Hiroshi Nakamura & NAP Architects<\/a>, vient d’ouvrir \u00e0 Harajuku.<\/p>\n","protected":false},"excerpt":{"rendered":"

Je reviens en photographies grand format vertical sur la s\u00e9rie prise il y a quelques mois dans les rues de Shibuya-ku depuis Jingu jusqu’\u00e0 la GA Gallery de l\u2019architecte Makoto Suzuki + AMS. Parmi la s\u00e9rie de photos, j’en montre trois de la Villa Fresca (1974) de Junzo Sakakura. Je n’avais pas montr\u00e9 auparavant cette…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17,3],"tags":[459,464,465,470,461,463,462,481,375],"class_list":["post-6246","post","type-post","status-publish","format-standard","hentry","category-architecture","category-tokyo","tag-edward-suzuki","tag-hiroshi-nakamura-nap-architects","tag-junzo-sakakura","tag-makoto-suzuki-ams","tag-takato-tamagami","tag-tokyu-plaza-omotesando","tag-tsutomu-hasegawa","tag-villa-fresca","tag-375"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/6246","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/comments?post=6246"}],"version-history":[{"count":14,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/6246\/revisions"}],"predecessor-version":[{"id":6268,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/6246\/revisions\/6268"}],"wp:attachment":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/media?parent=6246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/categories?post=6246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/tags?post=6246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}