{"id":8426,"date":"2013-06-15T22:17:25","date_gmt":"2013-06-15T13:17:25","guid":{"rendered":"http:\/\/www.fgautron.com\/weblog\/?p=8426"},"modified":"2013-06-15T22:17:25","modified_gmt":"2013-06-15T13:17:25","slug":"2-hours-walk-from-terrazza","status":"publish","type":"post","link":"https:\/\/www.fgautron.com\/weblog\/archives\/2013\/06\/15\/2-hours-walk-from-terrazza\/","title":{"rendered":"2 HOURS WALK FROM TERRAZZA"},"content":{"rendered":"

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Je reviens<\/a> sur le b\u00e2timent de b\u00e9ton Terrazza (1991) de Takeyama Kiyoshi Sey (Amorphe) sur Killer street. J’aime beaucoup cette structure imposante et ses trois chemin\u00e9es creuses. J’ai mont\u00e9 l’escalier sur la fa\u00e7ade mais malheureusement l’acc\u00e8s au toit \u00e9tait bloqu\u00e9 par une porte rajout\u00e9e. Je continue ensuite ma marche vers Omotesando autour du Omotesando Hills de Tadao Ando. Dans les petites rues de Harajuku, je tombe par hasard sur la Design Festa Gallery (Je ne me souviens jamais exactement o\u00f9 elle se trouve). J’y avais achet\u00e9 il y a plus de 10 ans un dessin<\/a> d’une jeune artiste qui exposait.<\/p>\n","protected":false},"excerpt":{"rendered":"

Je reviens sur le b\u00e2timent de b\u00e9ton Terrazza (1991) de Takeyama Kiyoshi Sey (Amorphe) sur Killer street. J’aime beaucoup cette structure imposante et ses trois chemin\u00e9es creuses. J’ai mont\u00e9 l’escalier sur la fa\u00e7ade mais malheureusement l’acc\u00e8s au toit \u00e9tait bloqu\u00e9 par une porte rajout\u00e9e. Je continue ensuite ma marche vers Omotesando autour du Omotesando Hills…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17,3],"tags":[543,85,542],"class_list":["post-8426","post","type-post","status-publish","format-standard","hentry","category-architecture","category-tokyo","tag-amorphe","tag-tadao-ando","tag-takeyama-kiyoshi-sey"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/8426","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/comments?post=8426"}],"version-history":[{"count":10,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/8426\/revisions"}],"predecessor-version":[{"id":8448,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/posts\/8426\/revisions\/8448"}],"wp:attachment":[{"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/media?parent=8426"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/categories?post=8426"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fgautron.com\/weblog\/wp-json\/wp\/v2\/tags?post=8426"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}